THE MANUSCRIPT FOUND IN SARAGOSSA  [1964]

THE MANUSCRIPT FOUND IN SARAGOSSA

year:

1964

release date:

9 II 1965

runtime:

177 min

directed by:

Wojciech Jerzy Has

written by:

Tadeusz Kwiatkowski based on the novel by Count Jan Potocki

director of photography:

Mieczysław Jahoda

cast:

Zbigniew Cybulski [Alfons van Worden], Iga Cembrzyńska [Emina, Mauretan princess], Elżbieta Czyżewska [Frasquetta Salero], Gustaw Holoubek [Don Pedro Velasquez], Stanisław Igar [Don Gaspar Soarez], Bogumił Kobiela [Senor Toledo], Barbara Krafftówna [Camilla de Tormez], Jadwiga Krawczyk [Donna Inez Moro], Sławomir Lindner [van Worden's father], Krzysztof Litwin [Don Lopez Soarez], Jan Machulski [Earl Pena Flor], Zdzisław Maklakiewicz [Don Roque Busqueros], Leon Niemczyk [Don Avadoro, a gypsy chief], Franciszek Pieczka [possessed Paszeko], Beata Tyszkiewicz [Donna Rebecca Uzeda], Aleksander Fogiel [a nobleman fighting against van Worden’s father]

edited by:

Krystyna Komosińska

music by:

Krzysztof Penderecki

production design:

Jerzy Skarżyński, Tadeusz Myszorek

produced by:

Zespół Filmowy „Kamera”

executive producer:

Ryszard Straszewski

awards:

• IFF Edinburgh (Scotland) 1965: honorary mention
• IFF San Sebastian (Spain) 1965: Golden Pen, CIDALC Award
• Fantasy and Horror Film Festival in Sitges (Spain) 1969: Special Medal
• Spanish Critics' Award 1971

About the film

One of the most original Polish films − a vision of a chaotic, disordered world, which is a metaphor for the randomness of human fate, deprived of any rational element. The film gained recognition abroad, particularly in Spain and France, where critics savoured its innovative poetry, corresponding − in spite of the costumes − with the new wave aesthetics of cinema, as well as the wealth of intellectual offers.

At the beginning of the film there is a quotation mark: it announces that the world depicted in the film will not be a world to be taken seriously. During the Napoleonic campaign in Zaragoza in Spain, officers of the hostile parties meet. Having found a wonderful manuscript, they set their weapons aside and immerse themselves in the fascinating text. This way we enter a phantasmagoric, unusual world of overlapping time, intersecting themes and philosophical questions.

A Walloon Guards officer − Alfons van Worden − is going to Madrid, choosing the shortest route through the mountains of Castile, but on the way he has a series of extraordinary adventures. Alfons repeatedly returns to the starting point of his journey, a mysterious inn and its ghostly surroundings, in order to travel through time and space, each time period is filled with different characters and seen from a different perspective.



Jan Słodowski, Leksykon polskich filmów fabularnych, Warszawa 1996